I’m proud of my friend Adam Bacher who has taken a month off each year for the past four years to do humanitarian projects, donating his time and talents in service of others. This year he’s going to Haiti to help three non-profits working to rebuild the lives of the Haitian people: Partners In Health, Mercy Corps, and the Haitian Caribbean American Organization of Texas. As a talented professional photographer, he’ll produce valuable photography and video content for the organizations to use in their media and fundraising campaigns. He’ll also travel with a portable printer to make prints for the people he photographs and has 60 soccer balls to give out to children.

Adam’s trip is entirely self-funded. The money he raises will only cover basic living and travel expenses. He’s donating four week of his time in Haiti and at least another three weeks back home for editing and writing trip-related material. Please consider donating to Adam’s Portraits of Haiti Project on his IndieGoGo fundraising page as he’s still a couple of thousand dollars shy of reaching his goal. To follow his trip, which begins on 11/6/11, visit his blog where Adam will post three to five times per week if technology in Haiti cooperates.
This interview with Adam will give you details about his Portraits of Haiti project as well as provide insights into how he has used word of mouth marketing to attract donors for this effort as well as build his photography business.
Patrick Galvin (PG): Why is this project important?
Adam Bacher (AB): Haiti is the poorest country in the western hemisphere. The island took direct hits from four hurricanes in 2008 and a massive earthquake literally leveled the capital of Port Au Prince in 2010. Over 200,000 people were killed in a matter of seconds and millions became homeless.
To be of service to others is the greatest good I know, providing tremendous meaning to life. As a professional photographer for over 20 years, my work for these organizations will give them a heightened ability to bring resources to people whose lives are in the balance. The only difference between a Haitian barely able to feed a family, and myself, is that I was lucky enough to be born in one of the wealthiest countries on the planet. Their lives are worth every bit as much as mine. Showing solidarity with those in need and respect for their dignity is imperative.
PG: What do you hope to accomplish?
AB: My primary goals are promotion, participation, and provision.
Enhancing the ability of the non-profits I’m working with to promote their programs and the condition of the people they’re serving is the primary objective of this project. The photography, video, and writing I do will be used for media and fundraising campaigns to show donors the needs to be filled and the results being achieved.
Participation is what makes this project unique. By running a fundraising campaign to cover the costs of the project, I’m giving people an opportunity to participate in more tangible way than if they were to donate directly to the non-profits. As I’m recording and telling the stories of the Haitian people and the organizations helping them, I’ll be live blogging from Haiti. People who contribute to the campaign will be able to see exactly where their money is going to, giving them a sense of ownership of the project. For example, if you make a donation, and then see a doctor providing life-saving treatment to a cholera patient, or a relocated family in a home which replaced one that was devastated in the earthquake, you’ll know you’re part of an effort that is improving and saving lives. You’ll see, and hear, and learn about the lives of people being helped feeling a great sense of personal empowerment.
Provision is the natural outcome of promotion and participation. Promoting the non-profits and participating in the work they do will assist them in providing for threatened populations.
PG: What online fundraising vehicles for trip financing did you consider? Why did you choose IndieGoGo to raise funds versus other platforms?
AB: The first fundraising platform I considered was Kickstarter. At the time they were the only one I knew about. I also had a few friends who successfully raised money using them and I had contributed to their projects. However, when I pitched my project, the Kickstarter team turned me down. I learned that they don’t fund “cause” related projects. I could have changed the premise of my project to an exhibit or a book, but I wanted to stay true to the original intent.
In researching other platforms, IndieGoGo was the next largest possibility. They don’t limit the types of projects you can do. Two other aspects which drove me to IndieGoGo were size and fund distribution. There are other less trafficked fundraising platforms on the web, but the popularity of IndieGoGo (as well as Kickstarter) appealed to me because I knew I’d have higher visibility using their site, translating into a larger potential donor base. Another advantage with IndieGoGo is that if you don’t reach your established fundraising goal, you still get to keep the money pledged to your project. With Kickstarter, it’s an all or nothing proposition. If you don’t reach your goal in the time period open for fundraising, all pledged money is returned to donors. With IndieGoGo, if you don’t make your goal, the site keeps an additional 5% and you get the rest. Fees for IndieGoGo are 4% to the site plus 3% for credit card processing. If you miss your money target, IndieGoGo takes 9%. With Kickstarter, fees are 5% for the site and 3-5% for credit card processing. The reason Kickstarter does an all or nothing approach is because they believe it protects everyone involved. Creators aren’t expected to develop their project without necessary funds, it allows anyone to test concepts without risk.
An appealing aspect of both sites is a built-in reward system for donors. When setting up your project you assign progressive levels of rewards for progressively higher donations. With my project, a $25 donation gives the donor a signed 5x7 print from Haiti and a unique matching card. A $50 donation gives an 8x10 signed print plus the 5x7 print and card. A $100 donation gives an 11x14 signed print plus rewards for lower levels, and so on up to the $1000 level for which I’ll give the donor and their friends a full day private photography field seminar, a two hour talk and Q&A about my Haiti trip as well as a 16x20, 11x14, 8x10 and 5x7 print and card.
PG: How have you created word of mouth for your fundraising efforts? What’s working?
AB: First, I’ve been sending weekly emails to my friends, family and client lists. Along with asking for a donation, I also ask them to spread the word. Facebook and LinkedIn are two other sites I’m regularly posting on. I’ve also gone through my contacts to identify people who I think are key movers in my network. I emailed and called to ask if they could help spread the word to their contacts.
I believe it is very important to avoid the temptation to rely solely on digital marketing. There is and never will be a substitute for face to face meetings and phone calls. This will remain part of any marketing strategy. Finally, I have cards with the campaign information printed up and with me at all times. I’m always networking and handing out cards, even at a Halloween party last week.
PG: Is social media important to marketing your photography business? If so, which social media platforms and techniques are working the best?
AB: It’s hard to gauge. I think of social media as more of a compliment to traditional marketing as opposed to a primary tool. I use Facebook and LinkedIn the most. IndieGoGo itself is a good social media outlet. My best marketing, however, is networking at events where I think there’ll be concentrations of potential clients. Portland has many trade organizations and award banquets. Two years ago a $60 dinner ticket resulted in the acquisition of two regular clients who are now doing thousands of dollars of business with me each year. Word of mouth and asking for referrals from existing clients is also invaluable. For now, social media seems best for reinforcing business visibility.
PG: Please provide and additional information about the trip, interesting social media marketing best practices for your business, or anything else that you think people would find interesting.
AB: The process of running a fundraising campaign and asking people for donations has been an unexpected boost to my business repertoire. In the excitement of setting up the IndidGoGo campaign, I was focused on the monetary goal, not the process of asking people for donations. You really have to stretch yourself into new mental territory to ask people to give money which isn’t directly related to a job you’re doing for them. It was uncomfortable at first. I felt like I needed to look into a mirror and tell myself, “I’m worthy, this project is worthy, and people won’t think less of me if I ask them for money.” The personal growth from learning to “ask,” has been invaluable.
The photo that accompanies this post shows Adam visiting an orphanage in Rwanda on a month-long humanitarian trip to that country in November 2009. Learn more about the image, the orphanage, and Adam’s Rwanda trip on his blog.